Matthew Brannon
Born 1971, St. Maries, Idaho, USA. Lives and works in New York
Education
1999 M.F.A., Columbia University, New York
1995 B.A., University of California, Los Angeles
Selected Solo Exhibitions
| 2013 | Department Store at Night (Five Impossible Films, I), Marino Marini Museum, Florence, Italy (forthcoming) |
| 2012 | The Ventriloquist, Office Baroque Gallery, Antwerp, Belgium |
| 2011 | Casey Kaplan Gallery, New York, USA A Question Answered with a Quote, Portikus, Frankfurt, Germany |
| 2010 | The Inevitable & The Unnecessary, Gio Marconi Gallery, Milan, Italy Wit's End, David Kordansky Gallery, Los Angeles, USA Mouse Trap, Light Switch, Museum M, Leuven, Belgium Reservations, Ursula Blickle Stiftung, Germany |
| 2009 | Nevertheless, The Approach, London, UK |
| 2008 | Grandmothers, Gio’ Marconi, Milan, Italy The Question Is A Compliment, Friedrich Petzel Gallery, New York, USA |
| 2007 | Where Were We, Whitney Museum of American Art at Altria, New York, USA Try and Be Grateful, AGYU, Art Gallery of York University, Toronto, Canada |
| 2006 | Cum Together, Friedrich Petzel Gallery, New York, USA Shoegazers & Graverobbers, Art 37 Statements, David Kordansky Gallery, Basel, Switzerland Hyena, Jan Winkelmann, Berlin, Germany |
| 2005 | Meat Eating Plants, David Kordansky Gallery, Los Angeles, USA Penetration, Jan Winkelmann, Berlin, Germany |
| 2004 | Exhausted Blood & Imitation Salt, John Connelly Presents, New York, USA If Direction Is a Look, with Sarah Morris, Galería Javier López, Madrid, Spain |
| 2003 | Tatum O’Neals Birthday Party, Kevin Bruk Gallery, Miami, USA |
| 2002 | Soft Rock, Künstlerhaus Bethanien, Berlin, Germany |
Selected Group Exhibitions
| 2013 | Notes on Neo-Camp (curated by Chris Sharp), Studio Voltaire, London, Uk (forthcoming) The Power of Paper, Saatchi Gallery, London, England (forthcoming) Beg, Borrow and Steal, Palm Springs Art Museum, Palm Springs, USA Set Pieces (curated by Andrew Berardini and Lauren Mackler), Cardi Black Box, Milan, Italy Notes on Neo-Camp (curated by Chris Sharp), Office Baroque Gallery, Antwerp, Belgium Gió Marconi @ Gerhardsen Gerner, Gerhardsen Gerner, Berlin, Germany The Assistants (curated by Fionn Meade), David Kordansky Gallery, Los Angeles, USA |
| 2012 | The Feverish Library (organized in cooperation with Matthew Higgs), Petzel Gallery, New York, USA No. 17 Group Exhibition of Gallery Artists, Casey Kaplan, New York, USA Struggle(s), Maison Particulière, Brussels, Belgium Brannon, Büttner, Kierulf, Kierulf, Kilpper, Bergen Kunsthall, Bergen, Norway |
| 2011 | In the Name of the Artists, Contemporary American Art from the Astrup Fearnley Museum of Modern Art, São Paulo Biennial Pavilion, São Paulo, Brazil After Hours: Murals on the Bowery, Art Production Fund and the New Museum, New York, USA Shape of Things to Come: New Sculpture, Saatchi Gallery, London, UK Predictable Feelings: Dan Peterman, Becky Beasley, Matthew Brannon, Office Baroque Gallery, Antwerp For Love Not Money, Tallinn Print Triennial, Kumu Art Museum, Tallinn, Estonia After Hours: Murals on the Bowery, Art Production Fund and the New Museum, New York, USA Mit Deiner Kunst; Texte Zur Kunst Editionen 1990-2010, (curated by Annette Kelm and Matthias Mühling, Sammlung Haubrok, Berlin, Germany |
| 2010 | Contemporary Magic: A Tarot Deck Art Project, National Arts Club, New York, USA At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, USA Cabinet of Curiosities with Pablo Bronstein, Matthew Brannon, Anthea Hamilton and Wayne Kostenbaum, Nottingham Contemporary, UK Behind the Curtain, Gió Marconi Gallery, Milan, Italy The Space Between Reference and Regret, Friederich Petzel Gallery, New York, USA 9 September - 23 October An Unpardonable Sin, Castillo/Corrales, Paris, France, 22 July - 11 September Owl Stretching Time (curated by Gyonata Bonvicini), Galerie Nordenhake, Berlin, Germany, 19 March - 24 April This Dinner is a Group Show, Frankfurt, Germany Interim in Three Rounds, Round Three (curated by Jason Murison), Friederich Petzel Gallery, New York, USA We Pictured You Reading This, Redux Contemporary Art Center, Charleston, USA In Three Rounds, Round 3, Friedrich Petzel Gallery, New York, USA Matthew Brannon, Mathew Cerletty, David Diao and Daniel Sinsel, Office Baroque Gallery, Antwerp, Belgium Permanent Transients, Country Club, Cincinnati, USA |
| 2009 | Beg, Borrow, and Steal, Rubell Family Collection, Miami, USA Stuart Sherman: Nothing Up My Sleeve (curated by Jonathan Berger), Participant Inc, New York, USA Poor. Old. Tired. Horse. (curated by Mark Sladen) ), Institute of Contemporary Art, London, UK FIVE, Baibakov Art Projects, Moscow, Russia Matthew Brannon, Marcel Broodthaers, James Lee Byars, William E. Jones, David Kordanksy Gallery, Los Angeles, USA No Shoes on the Carpet, Cirrus, Los Angeles, USA Embrace! (curated by Christoph Heinrich), Denver Art Museum, Denver, USA The Approach, London, UK CODE SHARE: 5 continents, 10 biennales, 20 artists (curated by Simon Rees) , Contemporary Art Centre, Vilnius, Lithuania Learn to Read Art: A History of Printer Matter (curated by AA Bronson), Badischer Kunstverein, Karlsruhe, Germany Born in the morning, dead by night. (curated by Tony Matelli), Leo Koenig, Inc., New York, USA T2 Torino Triennale 50 Moons of Saturn, Castello di Rivoli Museum of Contemporary Art, Fondazione Sandretto Re, Rebaudengo, Fondazione Torino Musei, Torino, Italy 2008-2009 |
| 2008 | Whitney Biennial, Whitney Museum of American Art, New York, USA Featuring, Chez Valentin (curated by Frederique Valentin), Paris, France Fair Market (curated by Haley Mellin), Rental Gallery, New York, USA DISPATCH Portfolio Project #2, DISPATCH, New York, USA Tapestry (curated by Bob Nickas), Karyn Lovegrove Gallery at Hudson Salon, Los Angeles Acquistions, Gifts, and Works from Various Exhibitions 1985-2008, White Columns, New York, USA One Day I Woke Up Very Early, Office Baroque Gallery, Antwerp, Belgium 50 Moons of Saturn (curated by Daniel Birnbaum), T2 Torino Trienniale, Turin, Italy Kunst Im Heim, Capitain Petzel Gallery, Berlin, Germany |
| 2007 | Multiplex: Directions in Art, 1970 to Now (curated Deborah Wye), Museum of Modern Art New York, New York, USA Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit, USA On the Marriage Broker Joke, Office Baroque Gallery, Antwerp, Belgium (the) Melvins @ (the) Mandrake, The Mandrake, Los Angeles, USA Uncertain States of America: American Art in the 3rd Millenium (curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran), Le Musée du Serignan, Serignan, France, traveled to Herning Art Museum, Copenhagen; The Centre for Contemporary Art, Zanek Ujazdowski, Warsaw |
| 2006 | Bring the War Home, QED Gallery, Los Angeles, USA Uncertain States of America: American Art in the 3rd Millenium (curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran), The Center for Curatorial Studies, Bard College, Annandale-on-Hudson; traveled to Reykjavik Art Museum, Reykjavik; Serpentine Gallery, London 666, USC Roski School of Fine Arts Social Design, Badischer Kunstverein, Karlsruhe, Germany Exquisite Corpse (curated by Bob Nickas), Mitchell Algus Gallery, New York, USA Matthew Brannon, Wade Guyton, Patrick Hill, United Artists. Ltd., Marfa, USA Slow Burn (curated by Jonah Freeman), Galerie Edward Mitterrand, Geneva, Switzerland |
| 2005 | Uncertain States of America: American Art in the 3 Millenium (curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran), Astrup Fearnley Museum of Modern Art, Oslo Passion Beyond Reason (a Miller/Rockenschaub Project), Wallstreet 1, Berlin, Germany Temporary Import (curated by Susanne Titz), Art Forum Berlin, Special Exhibitions, Berlin, Germany Threshold, Max Wigram, London, UK New Tapestries, Sara Meltzer, New York, USA We Could Have Invited Everyone (curated by Peter Coffin), Andrew Kreps Gallery, New York, USA The Most Splendid Apocalypse curated by Jason Murison), PPOW, New York, USA Post No Bills (curated by Matthew Higgs), White Columns, New York, USA There Is a City in My Mind, Southfirst, New York, USA Wordplay, Julie Saul Gallery, New York, USA Lesser New York, A Fia Backström Production, New York, USA Greater New York, PS1/MoMA, New York, USA We love Amerika, Jan Winkelmann, Berlin, Germany |
| 2004 | Halloween Horror Films, Southfirst, New York, USA If Direction Is a Look, with Sarah Morris, Galería Javier López, Madrid, Spain Besides, popularity is a rather lumpy concept, no? (curated by Raif Brog and Petra Rinck), Kunsthalle Düsseldorf, Germany Summer Summary (curated by Roger White), temporary space, New York, USA Noctambule, D’Amelio Terras at The Fondation Dosne - Bibliotheque Thiers, Paris, France Curious Crystals of Unusual Purity (curated by Bob Nickas and Steve Lafrenier), PS1/MoMA, New York, USA Tapestry from an Asteroid, Golinko Kordansky Gallery, Los Angeles, USA Hohe Berge, Tiefes Tal curated by Markus Draper) , Autocenter, Berlin, Germany Collection: How I Spent a Year (curated by Bob Nickas), PS1/MoMA, New York, USA Lumpen Decadents (curated by Gean Moreno), Ingalls & Associates, Miami, USA Cave Canem, John Connelly Presents, New York, USA |
| 2003 | Kult 48 Klubhouse (curated by Scott Hug), Deitch Projects, New York, USA Snowblind, with Wade Guyton & Mungo Thomson, John Connelly Presents, New York, USA My people were fair and had cum in their hair (but now they’re content to spray the stars from your boughs) (curated by Bob Nickas) , Team Gallery, New York, USA Inaugural Exhibition, Golinko Kordansky Gallery, Los Angeles, USA I’m Afraid of Everything, Blonde Revolution, New York, USA Escape from New York (curated by Jason Murison), Summit Art Center, Summit, New Jersey, USA Corporate Profits vs. Labor Costs, D’Amelio Terras, New York, USA Parking Lot, Ten in One Gallery, New York, USA The Melvins (curated by Bob Nickas), Anton Kern Gallery, New York, USA Late to Work Everyday (curated by Noah Sheldon), DuPreau Gallery, Chicago, USA Talking Pieces, Text and Image in Contemporary Art (curated by Ute Riese), Museum Morsbroich, Leverkusen, Germany |
| 2002 | Triple Theatre, with Heidie Giannotti, Triple Candie, New York, USA Dark Spring (curated by Nicolaus and Liam Gillick), Ursula Blickle Stiftung, Kraichtal, Germany |
| 2001 | Dedalic Convention, curated by Liam Gillick and Annette Kosak, MAK, Vienna, Austria |
| 2000 | Luggage, Galerie Max Hetzler, Berlin, Germany @ (curated by Jason Murison), PPOW Gallery, New York, USA 23rd New Museum Benefit Gala (curated by Stefano Basilico), New Museum of Contemporary Art, New York, USA |
| 1999 | Made Especially for You curated by Jenelle Porter), Artists Space, New York, USA The Wight Biennial (curated by Mungo Thomson), The New Wight Gallery, Los Angeles, USA MFA Thesis Exhibition (curated by Thelma Golden), Columbia University, New York, USA |
| 1998 | 1 + 3 = 4 × 1 (curated by Susanne Gaensheimer), collaboration with Liam Gillick, Galerie fur Zeitgenossische Kunst Liepzig, Leipzig, Germany Oh My God I live on the thirteenth floor in Holland, which doesn’t exist in the United States, or no?, collaboration with George Rush, H. Cleyndertweg 13 space, Amsterdam, Netherlands |
| 1996 | Paint as Purpose (curated by Roger Ray and Jesse H. Rivard), Purple Gallery, Los Angeles, USA New Memory (curated by Slater Bradley), Spanish Kitchen Studios, Los Angeles, USA |
| 1995 | The 1995 Banale (curated by Michelle Alpern), RE: Solution Gallery, Los Angeles, USA |
Selected Press and Publications
| 2011 | Steel Stillman, 'Matthew Brannon', Art in America, November 2011 Jan Tumir, 'Matthew Brannon: Hyenas are...', Mousse Publishing, 160p. |
| 2009 | Holland Cotter, 'A Tabletop Conjurer, Rediscovered', New York Times, November 30, art section Marcelline Delbecq, 'Worst Case Scenario, Matthew Brannon', Roven nº2, automne-hiver 2009-2010, pp. 100-105 (ill.) Phillip Monk, 'Matthew Brannon', Flash Art, March/April 2009, p. 65 Daniel Birnbaum, 50 Moons of Saturn, T2 Torino Triennale, Castello di Rivoli Museum of Contemporary Art, Fondazione Sandretto Re, Rebaudengo, Fondazione Torino Musei, Torino, 2008- 2009, pp. 210 – 215 (ill.) Jason Foumberg, 'Matthew Brannon, Marcel Broodthaers, James Lee Byars, William E. Jones, David Kordansky Gallery, Los Angeles', Frieze online, June 6 (ill.) Samantha Conti, 'Baibakova Makes Her Mark in the Art World', WWD Lauren Sherman, 'Print Isn’t Dead: The ancient craft of letterpress is making a comeback', Forbes, June 8, p. 68 (ill.) Simon Rees, 'Best of Group Shows 2008: Not So Subtle Subtitle', Frieze, January-February, p. 102 'Art Matthew Brannon', Kultureflash.com, November, online Richard Dorment, 'Matthew Brannon’s Nevertheless at The Approach', review in: The Telegraph, September 14, online (ill.) Adrian Searle, 'Matthew Brannon: Private view with Adrian Searle', The Guardian, September 23, online, podcast Helen Sumpter, 'Matthew Brannon', Time Out London, October 2, online (ill.) |
| 2008 | Paul Pieroni, 'Young Americans', Art World, December 2008 / January 2009, pp. 48-51 (ill.) Irene Calderoni, 'Matthew Brannon', 50 Moons of Saturn: T2 Torino Triennale, catalogue, pp. 210- 215 (ill.) Jennifer Higgie, 'The Embarrassing Truth', Frieze, November – December, pp. 166 – 171 (ill.) (cover) Paola Nicolin, 'Matthew e le storie a colori Letizia e le vite immaginarie', GQ Italy, October, p. 409 (ill.) Kristin M. Jones, 'Not So Subtle Subtitle', Frieze, October 2008, pp. 305-306 (ill.) Lisa Turvey, 'Matthew Brannon at Friedrich Petzel Gallery', Artforum, September, p. 460 (ill.) Philip Monk, 'More Than You Know, in catalogue To Say The Very Least, Art Gallery of York University, D.A.P., Distributed Art Publishers, (ill.) Ken Johnson, 'Some Shows for Escape, Some for Introspection', The New York Times, July 4, p. E30 Martha Schwendener, 'Not So Subtle Subtitle', The New Yorker, July 21, p.12 Claire Barliant, 'New York Summer Group Shows: Artist as Curator', Artinfo, July, online, (ill.) 'Galleries-Chelsea: Matthew Brannon', The New Yorker, June 30, p. 13 'Current Viewing: Matthew Brannon: The Question is a Compliment: Friedrich Petzel Gallery', The Imagist.com, June 24, (ill.) Simon Castets, 'Hot on the heels of two recent shows, artist Matthew Brannon unveils a curated exhibition at Casey Kaplan', V Magazine.com, June 20, (ill.) Brian Droitcour, Matthew Brannon', Artforum.com, Critic’s Pick, Thursday, June 19, (ill.) Karen Rosenberg, 'Matthew Brannon: The Question is Compliment', New York Times, Friday, June 13, p. E26 Morgan Falconer, 'Morgan Falconer on Matthew Brannon at Friedrich Petzel, New York', Saatchi Online, June 12 (ill.) Mads Arlien-Soborg, Artists Must-haves', Danks, edition 17, pp. 46-47 (ill.) Philip Monk, 'More Than You Know', To Say the Very Least, Art Gallery of York University, catalogue, pp. 143-153 (ill.) Maura Egan, 'Now Viewing: Matthew Brannon', T Magazine.com, May 22 (ill.) Jonathan Durbin, 'A good print for the plane', Men.Style.com, May 22 (ill.) Lisa Turvey, 'Matthew Brannon', Whitney Biennial 2008, exhibition catalogue, pp. 108-109 (ill.) Steven Stern, 'Whitney Biennial', Frieze, May, pp. 164-165 Phillip Monk, 'Matthew Brannon', Frieze, May, p. 200 (ill.) Richard Dorment, 'Whitney Biennial: sunk by its big ideas', Telegraph.co.uk, April 29 Carly Berwick, 'The Facebook Biennial: How Social Networks Have Taken Over This Year’s Whitney Festivities', New York Magazine, March 10-17, pp. 138-141 (ill.) Holland Cotter, 'Art’s Economic Indicator: Whitney Biennial 2008', The New York Times, March 7, pp. 31, 34 (ill.) 'Questionnaire', Frieze, March, p. 200, (ill.) Adrian Searle, 'Nice Building – Shame About the Art', The Guardian, March, pp. Carol Vogel, 'A Biennial Bustin’ Out of the Whitney', The New York Times, February 29, pp. E31-E32 (ill.) David Rimanelli, '2008 Biennial', Artforum, January, pp. 128 (ill.) |
| 2007 | Eric Bryant, 'Paint It Bleak', Art News, December, pp. 128-131 (ill.) 'Artist Projects: CMYK', Cabinet, Issue 27, Fall, pp. 36-37 (ill.) (curated by Walead Beshty) Rachel Wolff, 'Young Masters', New York Magazine, October 15, p. 48, (ill.) Matthew Brannon, 'Out-of-body Experience', The New York Times Style Magazine, pp. 276-279 (ill.) Matthew Brannon, 'Eel at Ease', V Magazine, Fall Preview, p. 69 (ill.) Nicholas Brown, 'The Language of Success: Anxiety and excess in Matthew Brannon’s Try and be grateful', Color Magazine, vol. 5, no. 2, pp. 98-107 (ill.) Daniel Kunitz, 'A Wicked Ventriloquist', The New York Sun, June 14, 2007, p. 20 (ill.) Martha Schwendener, 'Whitney Museum at Altria: Matthew Brannon, ‘Where Were We' ', The New York Times, May 18, p. 25. 'Matthew Brannon, “Where Were We”', The New Yorker, May 14, p. 24. Megan Ratner, 'Tongue in Chic: The guilty pleasure of looking at Matthew Brannon’s slyly subversive posters', Art on Paper, May - June, vol. 11, no. 5, pp. 50 – 55, cover (ill.) Listings Editor, 'Matthew Brannon, “Where Were We', Time Out New York, April 26 – May 2, p. 110, (ill.) Listings Editor, 'Matthew Brannon', Monopol, April, p. 124, (ill.) Andrea K. Scott, 'Matthew Brannon, “Where Were We', Time Out New York, April 12 – 18, p. 86, (ill.) Martha Schwendener, 'Material Muse for Some Strange Bedfellows', The New York Times, April 6, p. E34, (ill.) 'Whitney at Altria to Present Matthew Brannon: Where Were We', ArtXWorld.com, March 7, Sarah Milroy, 'A Riot of Dark Fragments', Toronto Globe and Mail, March 1, (ill.) Jenny Feldman, 'Beautiful Dreamers', Elle, March, p. 198, (ill.) Howie Chen, 'Chapter 11', Where Were We, exhibition catalogue, The Whitney Museum of American Art, pp. 3-18, (ill.) |
| 2006 | Patricia Ellis, 'Matthew Brannon', USA Today: New American Art, from The Saatchi Gallery exhibition catalogue, Royal Academy of Arts, pp. 60 - 69, (ill.) Vanessa Lawrence, 'Graphic Art', Women’s Wear Daily, October 5, p. 4, (ill.) Maria Muhle, 'Mood Swings', Texte Zur Kunst, September, pp. 194-96, (ill.) Bettina A.W. Funcke, ed. Allen Ruppersberg, Seth Price, Matthew Brannon, Donald Judd, and Johanna Burton, Continuous Project #8, Chatou, France: CNEAI, Paris, pp. 56 – 57, (ill.) Holland Cotter, 'At a Group Show in Chelsea, the Art is Sharp but the Categories Blurry', The New York Times, August 16 Ossian Ward, 'Matthew Brannon: impenetrable collectible', The Art Newspaper, Art Basel Daily Edition, June 14, p. 8 Wendy Cromwell, 'Buying into a Trend', Art on Paper, May/June, p. 22 Rosa Pavone, 'Never Innocent, Casual, or Involuntary: An Interview with Matthew Brannon', Uovo, April, pp. 138- 155, (ill.) Ina Blom, 'The Young Americans,” Texte Zur Kunst, March, pp. 169-173 Jan Tumlir, Openings: Jan Tumlir on Matthew Brannon', Artforum, February, pp. 196 – 197 North Drive Press, interview and multiple, Issue 3, 2006 New York |
| 2005 | Uncertain States of America: American Art in the 3 Millennium, exhibition catalogue, Astrup Fearnley Museum of Modern Art, Oslo, pp. 30 – 33 (ll.) Parkett, insert, Issue 73, New York/Zurich SITE, insert, Issue 8, Düsseldorf Mixburgh, General Store at SPACE, cassette, Pittsburgh (curated by Tyson Reeder) On the Beach, Printed Matter, wallpaper, New York (curated by Justin Lowe) Petra Henninger, 'Die Macht der Schatten', ArtNet, April 5 Gean Moreno, 'Good Titles from Bad Books', ArtUS, October/November, Issue 10, p. 20 |
| 2004 | Roger White, 'In Conversation: Matthew Brannon with Roger White', The Brooklyn Rail, April 2004 Alberto Sanchez, 'Matthew Brannon y Sarah Morris', Exit, No.6, October |
| 2003 | 'Poster Project in 3 Locations', SITE Ausstellungsraum, Düsseldorf, Art Frankfurt, Frankfurt & Reg Vardy Gallery, London, (curated by Ralf Brog & Petra Rinck) 'K48', 'Religion & Cult Issue', K48 Magazine, New York Charley Magazine, Ed. Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni, Ali Subotnick Uta Riese, 'Matthew Brannon', Talking Pieces, exhibition catalogue, Museum Morsbroich Levekusen |
| 2002 | SITE, insert, Issue 6, Düsseldorf Open City, insert, Issue 16, New York, Ed. Mungo Thomson |
| 2001 | The UKS Biennial, book jacket, Norway, Collaboration with Heidie Giannotti |
Artist's Writings
| 2010 | Mousse Magazine (forth coming) |
| 2009 | 'Matthew Brannon', I Like Your Work: Art and Etiquette, Paper Monument, p. 53 'Matthew Brannon', Dazed and Confused, vol. 72, iss. 78, p. 208 'Liam Gillick: Interview by Matthew Brannon', Interview, June/July, pp 74-77 'Where Were We: Art Basel 2009', V Magazine, May 'Thoughts on Simon Dybbroe Moeller’s ‘about fashion and history, about waiting', Kunstverein Hannover, catalogue essay, pp. 70-76 'Like It, or Not: Matthew Brannon on Lynn Spiegel’s TV By Design', ArtForum, February, pp. 57-58 (ill.) |
| 2008 | 'All we are and what we’re not. Art Basel Miami and the rest of 2008', V Magazine blog, December 2 'Without Baggage, With Pistoletto: Thoughts on Eileen Quinlan’s Photographs', Mousse Magazine, issue no. 16, December 2008/January 2009, pp. 31-32, (ill.) 'Questionnaire', Frieze, March, p. 200 'Family Guide by Matthew Brannon', Whitney Biennial 2008, 10 page brochure (ill.) |
| 2007 | 'Who is Guy de Cointet?', Artforum, Summer, p. 414 (ill.) |
| 2005 | 'Matthew Brannon', The Uncertain States of America, American Art in the 3rd Millennium, Astrup Fearnley Museum of Modern Art, Oslo, pp. cover & 30-33, (ill.) |
Public Commissions
| 2009 | Café Bar, Nottingham Contemporary, Nottingham June Noble Larkin Lobby, Julliard, New York |
Publications/Projects/Editions
| 2009 | 'Between the Lines, Volume II', children’s benefit coloring book pages, RxArt 'Misused Pronouns', ICA, London, benefit silkscreen print ed. 150 Fondazione Sandretto Re, silkscreen ed. 200 'Embrace', Denver Art Museum, Denver, a large-scale vinyl knife collage for the show and a small knife collage as a gift 'Certainly Not', The Kitchen, New York, Benefit collage 'You Tell Me', Verdure, Numéro 2, Nice, insert 'Under the Mattress', Paper Monument, 4 page insert 'And you remember thinking…', t-shirt design for Whitney Museum by ADAM |
| 2008 | 50 Moons of Saturn: T2 Torino Triennale, catalogue graphic design with Alex Lesy 'Hyena', [soundtrack edition], DISPATCH, July 13, performance Not So Subtle Subtitle, Ed. Matthew Brannon, Casey Kaplan Gallery, book To Say the Very Least, Art Gallery of York University, catalogue 'Where Were We', DISPATCH, June, silkscreen, edition of 17 Cirrus Editions, Jean Millant, publisher, silkscreen, edition of 50 'An Overflowing Cup', poem, 2008 Whitney Biennial Catalog, insert, p. 273 |
| 2007 | 'Hyena', Edition of 100, book 'Use Value', Heather Rowe: Shards, D’amelio Terras, p. 54-55, insert, (ill.) 'Artist Projects: CMYK', Cabinet, Issue 27, Fall, pp. 36-37, insert, (ill.) (curated by Walead Beshty) 'Out-of-Body Experience', The New York Times Style Magazine, August 26, pp. 276-279, insert, (ill.) 'Poem for Guy de Cointet', Artforum, insert, p. 414 |
| 2006 | 'Performance Anxiety', Printed Matter, silkscreen, edition of 200 'Teachers Fuck Students', Texte zur Kunst, junge edition nr. 63, silkscreen ed. 60 North Drive Press, multiple, Issue 3, New York LAB Magazine, Issue 1, ed. Adam Pendleton, Galerie Yvon Lambert, Paris, insert K48 Magazine, K48 6, New York, NY. p. 82-8, insert |
| 2005 | Parkett, Issue 73, New York/Zurich, insert SITE, Issue 8, Düsseldorf, insert On the Beach, curated by Justin Lowe. Printed Matter, New York |
| 2003 | Poster Project in 3 Locations, curated by Ralf Brog & Petra Rinck, SITE Ausstellungsraum, Düsseldorf, Art Frankfurt, Frankfurt & Reg Vardy Gallery, London K48 Magazine, K48 4, New York, NY. p. 72-73, insert Charley Magazine, Ed. Cattelan, Funcke, Gioni and Subotnick p. 94, insert |
| 2002 | SITE Magazin, Issue 8, Düsseldorf, Germany p. 26-29, insert SITE Magazin, Issue 6, Düsseldorf, Germany p. 80-83, insert Open City, ed. Mungo Thomson, Issue 16, New York, p. 119, insert |
| 2001 | The UKS Biennial, book jacket, collaboration with Heidie Giannotti, Norway |