Mathew Cerletty
Born 1980, Milwaukee, Wisconsin, USA. Lives and works in New York.
Education
| 2002 | BFA, Boston University |
Solo Exhibitions
| 2011 | Susan, Algus Greenspon, New York, 5 November - 17 December 2011 |
| 2008 | Hotpoints, Office Baroque Gallery, Antwerp |
| 2007 | The Feeling Is Mutual, Team Gallery, New York (in cooperation with Rivington Arms) |
| 2006 | Fallingwater, Rivington Arms, New York Sherman Gallery, Boston University |
| 2004 | Alter Ego, Rivington Arms, New York |
| 2003 | Trying to Live Beside the Point, Rivington Arms, New York |
Group Exhibitions
| 2011 | Heads with Tails, Harris Lieberman Gallery, New York, 11 August - 9 September, 2011. Discursive Arrangements, or Stubbornly Persisent Illusions, Klaus von Nichtssagend, New York, 14 July - 14 August, 2011. Cover Version LP, (curated by Timothy Hull), at Brooklyn Academy of Music, Brooklyn, 11 January - 20 March, 2011. |
| 2010 | Public Private Paintings. 2000 - 2010: tien jaar schilderkunst uit publieke en privécollecties in Vlaanderen en Brussel, at MuZee, Oostende, 9 October 2010 - 9 January, 2011. It's All American, Inaugural Exhibition, (curated by Alex Gartenfeld and Haley Mellon), New Jersey Moca, New Jersey, 23 October - 15 November. A Night Without Armor, Three's Company, New York Matthew Brannon, Mathew Cerletty, David Diao and Daniel Sinsel, Office Baroque, Jan-March |
| 2009 | Character Generator, Eleven Rivington, New York The Living and the Dead, Gavin Brown's enterprise, New York |
| 2008 | 8 1/2 × 11 / A4, James Fuentes LLC, New York Painting Now and Forever, Part II, Matthew Marks Gallery / Greene Naftali, New York Not So Subtle Subtitle, Casey Kaplan Gallery, New York (curated by Matthew Brannon) Cover Version, Taylor de Cordoba Gallery, Los Angeles |
| 2007 | Sweet Bird of Youth, Arndt & Partner, Berlin Block Party II, Daniel Weinberg, Los Angeles On the Marriage Broker Joke, Office Baroque Gallery, Antwerp |
| 2006 | USA Today, State Hermitage Museum, St. Petersburg / Royal Academy of Arts, London I Love My Scene, Mary Boone Gallery, New York Goodbye To All That, Rivington Arms, New York |
| 2005 | Galerie Ghislaine Hussenot, Paris Neocon, Gavin Brown's Enterprise at Passerby, New York Art Review 25: Emerging US Artists, Phillips, de Pury & Company, New York |
| 2004 | Now Is A Good Time, Andrea Rosen Gallery, New York Such things I do just to make myself more attractive to you, Peres Projects, Los Angeles |
| 2003 | Be In, Rivington Arms, New York Today's Man, John Connelly Presents, New York / Hiromi Yoshii Gallery, Tokyo |
| 2002 | I Kept All Your Letters, Rivington Arms, New York |
Selected Press & Publications
| 2011 | Ken Johnson, 'Mathew Cerletty: ‘Susan’ at Algus Greenspon', The New York Times, November 25 Adam O'Reilly, 'Mathew Cerletty makes memories', Interviewmagazine.com, November 7 |
| 2009 | Sarah Douglas, 'The David Brooks School of Painting', Artinfo.com, October 14 A Magazine, Issue 9, p. 25 (curated by Proenza Schouler) |
| 2008 | Jos van den Bergh, 'Mathew Cerletty, Office Baroque Gallery', Artforum, March, pp. 256-257 Bernard Dewulf, 'Radar', Weekend Knack, November |
| 2007 | David Greenberg, ‘The Economist’, aNYthing glob, 12 November Carlo McCormick, ‘Mathew Cerletty’, Interview, November, pp. 48–9 Carlo McCormick, ‘The New Pop A-List’, Interview, June, p. 88 ‘Mathew Cerletty’, The New Yorker, 26 November, p. 20. Daniel Volzke, ‘Jugend Erforscht’, Monopol, August, p. 127 |
| 2006 | A. M. Homes & Hedi Slimane, ‘The Way They Work’, Vanity Fair, November, pp. 355–7 Cate McQuaid, ‘Mathew Cerletty: Falling Water’, The Boston Globe, 5 October Charlotte Mullins, Painting People: Figure Painting Today, Distributed Art Publishers Jason Schmidt, Artists, Edition 7L / Steidl USA Today, Royal Academy of Arts Press |
| 2005 | Daniel Kunitz & Joao Ribas, ‘The Art Review 25: Emerging US Artists’, Art Review, March, p. 114 Jason Schmidt, ‘Work in Progress’, V Magazine, February, p. 66 |
| 2004 | Jack Bankowsky, ‘Best of 2004’, Artforum, December, pp. 162–3 Christopher Bollen, ‘Openings: Mathew Cerletty’, Artforum, April, pp. 148–9 Julia Morton, ‘Alter Ego: Mathew Cerletty’, New York Press, October 13, p. 60 Joao Ribas, ‘Mathew Cerletty’, Art Review, November, p. 144 |
| 2003 | Christopher Bollen, ‘Today’s Man’, Time Out New York, September 11, p. 88 Holland Cotter, ‘Mathew Cerletty’, The New York Times, March 14, p. B39 Melissa Gronlund, ‘New York: Rivington Arms’, Contemporary, Issue 51, p. 85 ‘Mathew Cerletty’, The New Yorker, March 31, pp. 18, 20 |
| 2002 | Holland Cotter, ‘I Kept All Your Letters’, The New York Times, May 24, p. B37 Ana Honigman, ‘I Kept All Your Letters’, Time Out New York, May 16, p. 41 Felicity Loughrey, ‘Mathew Cerletty: Self Aware’, Oyster, Issue 41, p. 19 |
