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Liam Everett

Liam Everett
Untitled (He loved them madly), 2016
Oil, ink and graphite on linen
230 × 198,1 cm (90 1/2 × 78 inches)

Liam Everett
Untitled (Honky Tonk), 2016
Oil, ink and graphite on linen
198,1 × 230 cm (78 × 90 1/2 inches)

Liam Everett
Untitled (Great Expectations/Orange Lady), 2016
Oil, ink and graphite on linen
198,1 × 230 cm (78 × 90 1/2 inches)

Liam Everett
installation view, The Biennale of Painting
Museum Dhondt-Dhaenens, Deurle, Belgium, 2016

Liam Everett
Untitled (Black Lake), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
241,3 × 198,1 cm (95 × 78 inches)

Liam Everett
Untitled (Altona), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
193 × 224,8 cm (75 15/16 × 88 1/2 inches)

Liam Everett
Untitled (Wanakena), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
198,1 × 137,2 cm (78 × 54 inches)

Liam Everett
installation view, 1970-1974
Office Baroque, Brussels, Belgium, 2015

Liam Everett
installation view, 1970-1974
Office Baroque, Brussels, Belgium, 2015

Liam Everett
Untitled (Aketi), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
195,6 × 144,8 cm (77 × 57 inches)

Liam Everett
Untitled (Kolwezi), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
195,6 × 248,9 cm (77 × 98 inches)

Liam Everett
Untitled (Bakavu), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
233,7 × 195,6 cm (92 × 77 inches)

Liam Everett
Untitled (Goma), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
233,7 × 195,6 cm (92 × 77 inches)

Liam Everett
installation view, 1970-1974
Office Baroque, Brussels, Belgium, 2015

Liam Everett
Untitled (Khagrachhari), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
195,6 × 152,4 cm (77 × 60 inches)

Liam Everett
Untitled (Laksam), 2015
acrylic, enamel, alcohol, and salt on oil primed linen
195,6 × 152,4 cm (77 × 60 inches)

Liam Everett
Untitled (Kumamoto), 2014
acrylic, enamel, alcohol, and salt on oil primed linen
195.6 × 304.8 cm (77 × 120 inches)

Liam Everett
Untitled (Molleges), 2014
acrylic, enamel, alcohol, and salt on oil primed linen
195,6 × 149,9 cm (77 × 59 inches)

Liam Everett
Untitled (Bonrepos-Riquet), 2014
acrylic, enamel, alcohol, and salt on oil primed linen
195.6 × 149.9 cm (77 × 59 inches)

Liam Everett
Untitled (Ádánd), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 × 195.6 cm (103 × 77 inches)

Liam Everett
Untitled (Bakháza), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 × 195.6 cm (103 × 77 inches)

Liam Everett
Untitled (Fonó), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 × 195.6 cm (103 × 77 inches)

Liam Everett
Untitled (Iharos), 2014
Acrylic, enamel, alcohol, and salt on oil primed linen
261.6 × 195.6 cm (103 × 77 inches)

Liam Everett
Untitled, 2013
acrylic, ink, salt, alcohol, burlap
152.4 × 102.87 cm (60 × 40 1/2 inches)

Liam Everett
Untitled, 2013
ink, acrylic, alcohol, discharger and salt on silk
158.75 × 102.87 cm (62 1/2 × 40 1/2 inches)

Liam Everett
Untitled, 2013
ink, acrylic, alcohol, discharger and salt on linen
158.12 × 102.87 cm (62 1/2 × 40 1/2 inches)

Liam Everett
Untitled, 2013
ink, acrylic, alcohol, discharger and salt on silk
158.12 × 102.87 cm

Liam Everett
Untitled, 2012
ink, acrylic, alcohol discharger and salt on linen
152,4 × 101,6 (60 × 40 inches)

Liam Everett
Mood brings one to its there, alongside and upon, 2012
ink, acrylic, alcohol, sea salt on flannel over wooden stretchers
242.57 × 60.33 cm (95 1/2 × 23 3/4 inches)

Liam Everett
Always inside a world where the light discloses the structure that shows us the ‘movement’ of always falling, 2012
ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
243.84 × 96.52 cm (96 × 38 inches)

Born 1973, Rochester, USA. Lives and works in San Francisco, USA.

SOLO EXHIBITIONS

2017 panem et Circen, kamel mennour, Paris, France
2016 The Elephant Calf, Altman Siegel, San Francisco, USA
2015 1970-1974, Office Baroque, Brussels, Belgium
Its Rising Brings No Light, Eleni Koroneou Gallery, Athens, Greece
2014 Montolieu, On Stellar Rays, New York, USA
2012 Altman Siegel, San Francisco, USA
2011 Being-with, Romer Young Gallery, San Francisco, USA
Cura, Paul Kasmin Gallery, New York, USA
2009 White Columns (curated by Matthew Higgs), New York, USA
2008 Geoffrey Young Gallery, Great Barrington, USA
2007 (curated by Michael St. John), Cynthia Broan Gallery, New York, USA
2003 Künstler Haus Bremen, Bremen, Germany
Francine Seders Gallery, Seattle, USA
2002 Astérides, Ateliers d’Artistes, Friche Belle-de-Mai, Marseille, France


GROUP EXHIBITIONS

2017 The SECA Art Award Exhibition, San Francisco Museum of Modern Art, San Francisco, USA
2016 A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, San Francisco, USA
Will and Be Going To, Altman Siegel, San Francisco, USA
In search of Vedaland, Altman Siegel, San Francisco, USA
The Biennale of Painting, Museum Dhondt-Dhaenens, Deurle, Belgium
2015 I Know You Got Soul, Arndt, Singapore
Family and Friends, Eleni Koroneou Gallery, Athens, Greece
Pass (curated by Kris Martin & Jan Hoet Junior), Huise-Mullem-Wanegem-Lede, Belgium
Rotrixagatze, On Stellar Rays, New York, USA
2014 The Presence of the Present: Teresa Baker, Liam Everett, Leslie Shows, di Rosa, Napa, USA
Nuit Américaine, Office Baroque, Brussels, Belgium
Color Shift, Berkeley Art Museum and Pacific Film Archive, Berkeley, USA
2013 Jessica Dickinson – Liam Everett – Yorgos Sapountzis, Eleni Koroneou Gallery, Athens, Greece
Curated by Vienna 2013: Dress rehearsal (curated by Franklin Melendez), Galerie Andreas Huber, Vienna, Austria
NextNewCA, Institute of Contemporary Art, San Jose, USA
Wassup Painters (curated by Pavan Segal), Anat Ebgi, Los Angeles, USA
Present Tense (curated by Christian L. Frock), Headlands Center for the Arts, Sausalito, USA
Nevermore, On Stellar Rays, New York, USA
2012 Hang Up: Anissa Mack, Anna Betbeze, Ellen Lesperance, Liam Everett and Ruairiadh O’Connell, Josh Lilley Gallery, London, USA
In Stasis, MacArthur B Arthur, Oakland, USA
K (curated by Juan A. Gaitán), Wattis Institute, San Francisco, USA
Flection, Hedge Gallery, San Francisco, USA
2011 White Columns Benefit Auction (curated by Matthew Higgs), White Columns Gallery, New York, USA
Odds Art 13:1 (curated by Jessica Brier), Wattis Center for Contemporary Art, San Francisco, USA
Hammarby (curated by Kris Martin) , Wattis Center for Contemporary Art, San Francisco, USA
2010 Closed for Installation, 303 Gallery, New York, USA
The Projection Project (curated by Cleopatra’s), Canada Gallery, New York, USA
2008 Bad Moon Rising (curated by Jan Van Woensel), ISCP, Brooklyn, USA
Gouache & Gouache Only (curated by Geoffrey Young), Andrea Meislin Gallery, New York, USA
2007 MetLife (curated by Geoffrey Young), Morgan Lehman Gallery, New York, USA
2006 Work on Paper (curated by Laura Sue Phillips), Leubdsorf Art Gallery at Hunter College, New York, USA
2005 5. (curated by Boris Nieslony) Bremer Kunstfruhling, Bremen, Germany
Geoffrey Young Gallery, Great Barrington, USA
2004 The Neon Forest Is My Home, *sixtyseven, New York, USA
Sprawl (curated by Emily Wei and Haan Chau), Chewy Hudson Clearing, New York, USA
2003 Selections from the Flat Files, Pierogi Gallery, Brooklyn, USA
Confabulations (curated by Peter Dudek), Leubdsorf Art Gallery at Hunter College, New York, USA
2001 Sylvia Heisel (curated by Dara Meyers-Kingsley), New York, USA


PERFORMANCES

2015 Various positions for Renee Paul Strudel, Kadist, San Francisco, USA
2012 The Draft Report, Section I (sounds from the Black Forest) Liste 17, Basel, Switzerland
The Draft Report (sounds from the Black Forest), The Potrero Neighborhood House, San Francisco, USA
2010 Disappearance of Tal Ben-Yaccov, Times Square Gallery, Hunter College, New York, USA
2009 On the Wall (The Leaking), 179 Canal St, New York, USA
On The Wall, ArtBasel 09, Basel, Switzerland
2005 Tarnan (curated by Boris Nieslony), 5. Bremer Kunstfruhling, Bremen, Germany

Liam Everett in The SECA Art Award Exhibition at San Francisco Museum of Modern Art, San Francisco, USA
2017

Liam Everett in A Slow Succession with Many Interruptions at SFMOMA, San Francisco, USA
10 December 2016 – 2 April 2017

panem et Circen, Liam Everett at kamel mennour, Paris, France
20 January – 4 March 2017

Liam Everett in Will and Be Going To at Altman Siegel, San Francisco, USA
11 November – 17 December 2016

Liam Everett in In search of Vedaland at Altman Siegel, San Francisco, USA
8 September – 1 October 2016

Liam Everett in The Biennale of Painting at Museum Dhondt-Dhaenens, Deurle, Belgium
26 June – 25 September 2016

The Elephant Calf, Liam Everett at Altman Siegel, San Francisco, USA
25 February – 23 April 2016

Liam Everett at Office Baroque, Brussels, Belgium
30 October – 12 december 2015

Liam Everett in Pass, Huise, Belgium
1 May – 5 July 2015

Liam Everett in I Know You Got Soul (curated by Amir Shariat) at ARNDT, Singapore
19 April – 21 June 2015

Jonathan Curiel, ’Elephant in the Room’, SF Weekly, March 2016

Colette Dubois, ‘Liam Everett’, H.Art, November 2015

Brian Karl,‘Reviews: ‘Nacht und Träume at Altman Siegel’, Artforum, November 2015

‘Tools of the trade: Liam Everett’, Port, October 2015

‘Liam Everett’, Frieze, October 2012

Franklin Melendez, ‘Liam Everett’, Artforum, November 2012

White Columns, White Columns, May 2009