Robin Graubard
Random Access

16 March - 18 April 2019
Office Baroque, Brussels

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019 Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019
Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019 Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019
Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019 Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019
Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019 Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019
Photo: Isabelle Arthuis

Robin Graubard, kim + manon mosh pit (CBGDs, NY), 1985/2015, lambda print (framed), 50.8 × 35.6 cm (20 × 14 in) Edition 1 of 5 + 2 AP

Robin Graubard, kim + manon mosh pit (CBGDs, NY), 1985/2015, lambda print (framed), 50.8 × 35.6 cm (20 × 14 in)
Edition 1 of 5 + 2 AP

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019 Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019
Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019 Photo: Isabelle Arthuis

Installation view Robin Graubard: Random Access, Office Baroque, Brussels, 2019
Photo: Isabelle Arthuis

About Robin Graubard

Artist page

Robin Graubard’s work, over the past 40 years, has explored and blurred the boundaries between documentary and autobiographical narratives. In the 1980s, Graubard documented aspects of the Lower East Side punk scenes and the nocturnal hustle of a then still dangerous Times Square but also travelled to Eastern Europe, Jamaica and Hawai. Travelling both East and West on a political and poetical map, Graubard occupies a hard-to-define position in relation to her subjects. There remains a sense of the unresolved at play in both life and in art, a nagging sense that something is always occluded and remains unsaid. Her work builds drama through mixing up distant and conflicting realities and chronologies.